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The idea for “No Evil” came to me quite suddenly and out of nowhere: Coming up behind a well dressed woman sitting in a black void, a hand lifting a cover on the plate in front of her to reveal a dish full of eyeballs that she proceeds to eat.
I texted Daniel – “A short of a woman eating eyeballs.” and got back an immediate – “I’m in.”
The rest of the elements of what would eventually become “No Evil” fell into place fairly quickly and I jumped into making the various props and prosthetics needed for the project, but one key part remained a challenge: That plate full of eyeballs.
They had to be edible, they had to look realistic on camera, and it had to be possible to make one squirt when stabbed with a fork.
I started by taking a lot of inspiration from the work Janice Poon, an amazing food stylist, did on Hannibal. Looking at the different ways she made food look like body parts I decided to try making turkey crystal dumplings. Turkey, when steamed, becomes a nice pale color. The tapioca starch in the dumpling wrapers makes it come out slightly translucent. Seemed like the perfect jumping off point.
The dumpling color looked right and the result was actually quite delicious, high in protein and low in fat. Any leftover filling was baked into meatballs and came out of the airfryer tasting amazing.
However they were extremely hard to get into the right size and shape and were definetly not going to survive any handling for a film shoot. And while they did keep overnight, the amount of work that went into making the dough was not practical for what we needed.
Janice Poon often used rice paper to mimic skin, so I decided to try these dumplings again using the rice paper.
It was much easier to work with than the dumpling dough and the results were again pretty tasty, but the rice paper was quick to disolve and the color wasn’t right. However it looked great as the tissue that would be attached around the eyeballs.
So I had to go back to the drawing board.
Jello eyeballs are popular for halloween but tend to look cartoonish and the texture would not be right, however agar seemed promising.
Using 2 cups of water and 3 tablespoons of agar I brought that mixture to a boil. I mixed a small amount with food coloring in an attempt put the lenses and irises in and poured into some 1 inch spherical molds. Let set overnight.
Finally we seemed to be getting somewhere! The mixture was too translucent and my attempts at adding the eye details were a failure but shape/size/texture were all getting there. And the eyeballs were surprisingly easy to paint with food coloring. I adjusted the recipe, using coconut milk instead of water, adding sugar to make the whole experience a little more palatable and made them again.
Houston, we have eyeballs.
We did discover the the food coloring would continue to bleed into the rest of the eyeball over time, so if crispness of lines is important for you, paint your eyeballs fresh. Each eyeball was wrapped in rice paper soaked in cherry juice.
A quick sauce of cherry juice with sugar and spoonful of cornstarch was boiled up and became our blood for the plate. Throughout the shoot we painted the eyeballs with a light cornsyrup to get the glazed effect.
So all that was left was figuring out how to make the eyeball squirt when stabbed with a fork…
I attached a bike pump needle to a syringe and a hose that we could hide under the other eyeballs. Pushing the needle through to just under the surface of the eyeball, we were able to create an awesome squirting effect by pushing water through the syringe when a fork was stabbed into the eyeball. It worked better than expected but word of warning, the pump needle was easy to clog.
Check out the “No Evil” page to see more behind the scenes from this very fun project and find out where/when you might be able to watch it.
I leave you with the final recipe: